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The late singer-songwriter Hassan Peter Brown and with his wife Markiza during a performance. – Chun Cheuh Tang pic, November 18, 2022.

OUR dear friend singer-songwriter Hassan Peter Brown died on Monday.

It’s been a rough 12 months for the Malaysian singer-songwriter community – we’ve lost two important artists in Meor Yusof Azzidin on Christmas eve last year and Dr Wan Zawawi Wan Ibrahim earlier this year.

I received a message about a week ago from his wife Markiza – his soul mate, bandmate, and partners of Lemang Music – informing me about his hospitalisation which no one aside from close family knew about. We last met just about a year ago when I visited them.

Hassan and Markiza were not only fellow troubadours and dear friends. They were important figures of the Klang Valley independent and underground music circuit in 2000 onwards.

He and Markiza organised a series called “Acoustic Jam” at one of the function rooms in the Royal Commonwealth Society of Malaysia (we only knew it as Commonwealth Club) in Bukit Damansara.

The series was important in the development of the indie music and open mic circuit in the Klang Valley along with Joe Kidd’s Unclogged and Pete Teo’s Songwriters Round series in different corners of the capital when the public narrative of music making was solely in the hands of the mainstream music industry and the pub scene.

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Such shows bridged the divide between the vibrant but hidden from plain sight underground music scene and the aforementioned mainstream.

I corresponded with Hassan online (via the Malaysian Underground Yahoo Groups mailing list – this was pre-social media times) before I literally bumped into him in person at one of the early No Black Tie gigs. He was handing out flyers of the next Acoustic Jam he was organising.

At gigs, he would always be upfront and completely engaged with the performance – right up into his 70s. I would often find myself in admiration of his stamina and passion for live music, a further proof that playing and loving music are elixirs of health and fitness.

Many bands and singer-songwriters who started out in the early 2000s are indebted to this series and had their first public performance there – some were even “discovered” there.

I, too, became inspired, and eventually co-organised the Troubadours open mic nights with fellow singer-songwriters Jerome Kugan and Tan Sei Hon.

Acoustic Jam was very inclusive to both solo and band acts of any genre and language. However, I never actually performed at the event although I attended several of the series because I was in transit between my sojourn overseas during the period.

Needless to say, when I did have a chance to check it out, the event was always packed with eager young wannabes checking out the featured act and also supportive friends and family.

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环球UG声明:该文看法仅代表作者自己,与本平台无关。转载请注明:A tribute to a troubadour with a big heart
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